Titlebook: Silence and its Derivatives; Conversations Across Mahshid Mayar,Marion Schulte Book 2022 The Editor(s) (if applicable) and The Author(s), u

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Talkative and Taciturn Nations: Ethnographic and Political Perspectives in European Discourses on Category of ‘voice’. Retracing the historical emergence of such conceptualizations during the late eighteenth and early nineteenth centuries, this chapter aims at a reconsideration of these familiar, but reductive binaries. Exploring French, German, and British discourses on the question why some nat

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Corpus-Linguistic and Cultural-Cognitive Perspectives on S, in Black South African English, semiotic meaning. The setting under investigation is that of predominantly L2 English-speaking Black communities in South Africa, in particular those that have Sotho, Tswana and Xhosa as (one of) their first language(s) and any variety of Black South African English either as a second/third/fourth/

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,Organic Archives and Generative Silence: A Case Study of the Nlele Institute’s Photographic Archiveing values across time. Myriad relationships—between makers of and subjects within collected materials, and people who interact with collections—mark and are marked by archives. Through a case study of The Nlele Institute (TNI)’s archives in Lagos, Nigeria, we argue that archival silence urges atten

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,Silence as Masquerade: Punctuation, Prosody, and Performance in “A Primer for the Punctuation of He wordless yet addressed . an audience, written silence, as communication and as a replete yet inaccessible vessel of signification is ultimately always an act of proximation. This entails a semantic labour in deferral that contains in it an urgent, wistful desire for the return of the word (to the p

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Night and Silence: Five Breaths at the End of the World,iconic figures drawn from contemporary world literature—the Moroccan Ahmed Bouanani, the Argentinian Alejandra Pizarnik, the Vietnamese Vi Khi Nao, the French-Algerian Hélène Cixous, and the Japanese Kobo Abe—provides their own unique prism through which we can perceive the subtle or violent experie

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,No Quiet Place—Breaking the Silence, Speaking the Unspeakable, or: How Cultural Critique Thrives onfor instance, insist that the complexities of sexuality, violence, pain, and trauma resist representation. Drawing on work on sexual violence and trauma, including my own, my contribution explores the significance of this paradox for the function and status of cultural studies in the hierarchy of sc

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,“No noise of any kind”—Silence and Silencing in First World War Correspondence, absence of a letter from the front could mean the potential death of the writer. While research has been carried out on war correspondence (Helmers in Languages and the First World War: Representation and Memory, Palgrave Macmillan, Basingstoke, 54–72, 2016, Housiel in Dire la guerre: le discours é