Titlebook: Sight and Embodiment in the Middle Ages; Suzannah Biernoff Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 a

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走路左晃右晃

https://doi.org/10.1057/9780230508354art; corpus; culture; dialogue; history; history of literature; interdisciplinary; knowledge; Medieval Liter

HALL

978-1-349-42722-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2002

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Sight and Embodiment in the Middle Ages978-0-230-50835-4Series ISSN 2945-5936 Series E-ISSN 2945-5944

Benign

Scientific Visionser the other senses was manifest in two ways: in visual pleasure, and in the necessity of sight for knowledge of the natural universe. We ‘take especial delight in vision’, he wrote in his introduction:

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Book 2002y strategy that illuminates and complicates both cultures. This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading for scholars of art, science or spirituality in the medieval period.

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Eviction

Introduction: Medieval Vision in Perspectiveons why historians and theorists of vision may have neglected medieval texts or images. The first has to do with the critical apparatus available to the contemporary theorist. Recent work on visuality has been dominated by a Lacanian paradigm in which the visual gestalt—the mirror image for example—

Crumple

The Eye of the Fleshresembling the flesh in its permeability and libidinal activity. For anyone familiar with psychoanalytic theory, these figures of sight will seem familiar. Yet carnal vision cannot adequately be explained by current notions of the gaze. In the sources discussed here there is no paradigmatic masculin