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Titlebook: Shelley‘s Visions of Death; Andrew Lacey Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Na

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,‘Who Lifteth the Veil of What Is to Come?’: , (1816),al shift. This chapter also argues that the . volume is a work primarily characterised by its distinct scepticism, particularly towards death. Whereas, as the previous chapter demonstrated, in 1813, Shelley was assuredly espousing a mixture of Platonic dualism and French-Materialism-inflected Lucret
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,‘Rending the Veil of Mortal Frailty’: , (1813), decay that reintegrates its constituent parts with the natural world. This chapter also argues that Shelley shares a common, in fact radical, aim of Lucretius in writing .: to loosen the ‘tight knots of religion’ and ‘to set free the minds of men’ (., IV. 6–7).
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