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Titlebook: Shame and Guilt in Chaucer; Anne McTaggart Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 Chaucer.Geoffrey Chaucer.M

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书目名称Shame and Guilt in Chaucer
编辑Anne McTaggart
视频video
丛书名称The New Middle Ages
图书封面Titlebook: Shame and Guilt in Chaucer;  Anne McTaggart Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 Chaucer.Geoffrey Chaucer.M
描述Explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer‘s narrative poetry. McTaggart argues that Chaucer‘s main works including The Canterbury Tales are united thematically in their positive view of guilt and in their anxiety about the desire for sacrifice and vengeance that shame can provoke.
出版日期Book 2012
关键词Chaucer; Geoffrey Chaucer; Medieval Literature; Middle Ages; poetry; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137039521
isbn_softcover978-1-349-34091-0
isbn_ebook978-1-137-03952-1Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2012
The information of publication is updating

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,Shamed Guiltless in Chaucer’s Pagan Antiquity, the act of writing as emerging out of the act of reading: Chaucer’s books are born out of the books of Ovid, Virgil, Boethius, and Dante.. In addition to disavowing any claim to “authorship” in his own right, Geffrey the dreamer insists that he does not aspire to join the venerable poets of history
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Honor, Purity, and Sacrifice in , and ,,s the very basis of social organization.”. In light of this, Criseyde’s transgression suits the “best interests of Troy in the repair of its losses in battle and in the reestablishment of truce or temporary equilibrium of the siege. She acts, that is, in the best interests of patriarchal society its
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Conclusion,t seems undeniable that shame has entered a period of ascendency. In theory broadly defined, there is growing enthusiasm about the fact that “shame purifies our bad consciousness, offering salvation from the tyranny and prison of the self. It opens a door, pointing the way to spiritual health and re
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Conclusion,identity” while guilt has become “shame’s other, the carrier of bad, negative, and destructive implications.”. In practice, shame thrives in a context where images are the primary cultural medium, and especially where the mechanisms of commodification shape every aspect of public and private life.
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