Titlebook: Shakespeare, Marlow and the Politics of France; Richard Hillman Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2

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大雨

,Shakespeare’s Arthurian Misfortunes,aphical self-consciousness, contrary to the strenuous myth-making of the two Tetralogies.. Behind this reversal in critical attitude may lie the innovative claim of Sigurd Burckhardt that the play manifests a sceptical “modernity” (134), whereas the subsequent histories, “resolute and stirring” in a

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,“Of tendyr hertys been Englysche men”,xt for those scattered references, it is necessary, in the first instance, to shift backward to . – that is, to political and dramatic “origins.” A new dynamic of signification may be set in motion by reconsidering two familiar points from a “French” perspective: first, Marlowe was probably acquaint

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Book 2002ench examples include dramatic treatments of Joan of Arc and of the assassination of the Guises by Henri III. In addition to its fresh readings of some familiar plays, the book proposes, as unique to the English-French dynamic, a theoretical model relating history, discourse and subjectivity.

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