Titlebook: Shakespeare and the Solitary Man; Janette Dillon Book 1981 Janette Dillon 1981 England.English literature.epic.fiction.Hamlet.King Lear.ly

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Offbeat

‘Single nature’s double name’tely described as a confusion between two separate arguments: whether the solitary life is more pleasurable than the civil life, and whether it is morally superior to it. It was on the whole not until the seventeenth century that writers distinguished explicitly between ‘what is lawful in it self’ a

cloture

‘This prison where I live’: ,image of God as well as of man: as head of the kingdom, he was a symbol of God on earth and of the divine potential within man, a mediating vehicle between the levels of human and divine through which God could reveal himself on earth and men could find fulfilment, by transferring their potential im

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landmark

‘The heart of my mystery’: ,nged’ (.. ii. 36), in whom even Claudius can see that ‘nor th’ exterior nor the inward man/Resembles that it was’ (.. ii. 6–7), was clearly less mystifying and withdrawn than the one they see in the play. Hamlet himself is unhappy with the isolation into which he is forced by his father’s death, his

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伪善

‘Walls of glass’: The Sonnets’ in their languages did not actually attain grammatical autonomy. Shakespeare’s Sonnets, on the other hand, show quite clearly the breaking down of the boundaries between reflexive and autonomous usage from the very first sonnet:.Variations among modern editors in printing ‘thyself’ or ‘thyself’ confirm the fluidity of the boundaries.

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内阁

Approaches to Solitude before ShakespeareEngland is a necessary prologue to discussion of the later period. Indeed, it is interesting to note that the movement of ideas in Renaissance England followed a similar pattern to movements illustrated in Greek and Roman literature: that is, from idealisation of the state and the individual’s duty

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