Titlebook: Shakespeare / Not Shakespeare; Christy Desmet,Natalie Loper,Jim Casey Book 2017 The Editor(s) (if applicable) and The Author(s), under exc

tic-douloureux

978-3-319-87521-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

独特性

Shakespeare / Not Shakespeare978-3-319-63300-8Series ISSN 2730-9304 Series E-ISSN 2730-9312

incite

Aggrandize

“This is not Shakespeare!”y a cultural materialist study of the presence of Shakespeare in a series of national festivals—the great Exhibition of 1851, the Festival of Britain in 1951, and the London Olympics of 2012—this story uses imaginative methods to pursue a critical inquiry, combining documentary evidence and critical argument with imaginative speculation.

Modicum

HypeRomeo & Juliet: Postmodern Adaptation and Shakespearety in order to present a much more accurate relational map, Casey examines Fumitoshi Oizaki’s anime . as a perfect example of both the iterative process of translation and the multiple voices of a “Shakespeare” that has become increasingly hyperreal.

百灵鸟

Guest Starring ,: The Proliferation of the Shakespeare Meme on American Televisionseveral contemporary television series: ., ., ., ., and .. Through a process of unacknowledged doubling, repetition, and revision, these series give new forms to Shakespeare’s texts, thereby extending the life span of the meme and ensuring its cultural “stickiness.”

extrovert

Paratextual Shakespearings: Comics’ Shakespearean Frameatextual apparatuses aid in the construction of “author fictions,” Christopher identifies a persistent pattern of literary and cultural credibility being established through a paratextual relationship with Shakespeare, so that some comics are eventually refigured as Shakespearean texts in their own right.

Bumble

方便

sperse

YouShakespeare: Shakespearean Celebrity 2.0rse platforms available for self-promotion in online media have fundamentally redefined celebrity as a whole and, thus, dispersed Shakespeare’s enduring celebrity from the singular Shakespearean star to a fluidly evolving multitude of participants.