Titlebook: Shakespeare; Poetry, History, and Jonathan Hart Book 2009 Jonathan Hart 2009 culture.England.gender.history.history of literature.Italy.Lig

胡言乱语

The Sonnetsially . (1558), provided influences and affinities and both contained meditations on time. With great distinction, Edmund Spenser, who had dedicated work to Philip Sidney, translated this text of Du Bellay. He renders into English the beginning of the second sonnet thus: “Great . her haughtie walls

Capitulate

Barbarism and Its Contexts always to remember the breaking in of the world of culture, politics, and history, the minute particulars of those who made the way for Shakespeare and for England in the expansion of Europe. That is not to say that the sonnets in Shakespeare’s plays and in the sonnets are really about love’s empir

毕业典礼

哑剧

Shakespeare’s Italy and Englandeare represented an Italy of the ancients and what we have come to call the Renaissance, taking up this Victorian word. The term ., which is also a later invention that Shakespeare would not have recognized, has its own problems in terms of teleology, as if the modern could be graduated, the early l

不合

Some Questions of Gender in the Second Tetralogy I could not include all that I wanted to in one study and its variations. When I came back to reshape my discussion of Shakespeare’s representation of history in the second tetralogy (., and .), I realized that I could not incorporate everything I had explored. Here, I decided to leave my discussio

起来了

Pathogen

Henry VIIII. Although not quite like Thucydides in recording contemporary events in Athens, Shakespeare had now become closer to representing the life of his one-time queen and her family than ever before. Perhaps with her death, he could broach the topic with less chance of censorship or political risk.

Dna262

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修饰语