Titlebook: Shakespeare; Third Edition Kiernan Ryan Textbook 2001Latest edition The Editor(s) (if applicable) and The Author(s) 2001 exceptionalliterat

变更

书目名称Shakespeare影响因子(影响力)




书目名称Shakespeare影响因子(影响力)学科排名




书目名称Shakespeare网络公开度




书目名称Shakespeare网络公开度学科排名




书目名称Shakespeare被引频次




书目名称Shakespeare被引频次学科排名




书目名称Shakespeare年度引用




书目名称Shakespeare年度引用学科排名




书目名称Shakespeare读者反馈




书目名称Shakespeare读者反馈学科排名

ALOFT

Reinterpreting Shakespeare Today,ive vision that invites discovery in his plays today. It is intended as a contribution to what remains a fundamental objective of radical criticism at the beginning of the twenty-first century: to contest and displace the established interpretations of canonical works, and thereby transform both the

alliance

evanescent

Shakespearean Tragedy: The Subversive Imagination,n the two dominant, complementary manoeuvres, the tragedies are presented either as endorsing the established order of things by vindicating conventional values, or as reconciling us to our intractably flawed human nature, and thus to the necessity of our generic plight, however monstrous and unbear

GRIN

Shakespearean Comedy and Romance: The Utopian Imagination,ii.324), his comedies and romances create opportunities to explore the way the world might look and feel with the dead weight of prevalence and probability lifted from its shoulders. The tragedies are preoccupied with the destruction of the potential by the actual, of the more desirable forms living

非秘密

,‘Dreaming on things to come’: Shakespeare and the Future of Criticism,bjective that underpins it, which is to help unlock the impasse in which most modern criticism, it seems to me, has languished for too long. As I argued in Chapter 2,. when we set out to study a novel, play or poem from the past, and especially from the distant past, we are basically obliged to opt

Choreography

阴险

Reinterpreting Shakespeare Today,long been recognized, even in conservative quarters, to be in dire disarray and in urgent need of reconstruction.. Alternative perspectives opened up by feminism, poststructuralism, psychoanalytic theory, new historicism and cultural materialism have thrown the rationale, and hence the interpretive

abduction

自负的人

Shakespearean Tragedy: The Subversive Imagination,e traditional critical response, with which I will chiefly be concerned in this chapter, has been keener to surrender to the sway of the awesome and ineffable: What do we touch in these passages? Sometimes we know that all human pain holds beauty, that no tear falls but it dews some flower we cannot