Titlebook: Sexuality and the Gothic Magic Lantern; Desire, Eroticism an David J. Jones Book 2014 Palgrave Macmillan, a division of Macmillan Publisher

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,Le Fanu’s ,: Lesbian Desire in the Lanternist Novella,with the sultry vampire being given some of the most famous lines in sapphic fiction such as: ‘In the rapture of my enormous humiliation I live in your warm life, and you shall die — die — sweetly die — into mine.’. Yet, though the tale has spawned at least 11 major films, perhaps most remarkable a

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Conclusion,aneously placing a model of the cinema/lantern dichotomy, as he saw it, at the centre of contemporary historiography. It is a highly selective statement with regard to lantern technology and, built as it is on Sartre’s preference of cinema to the lantern shows he witnessed as a child, he dispenses i

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Byron: Incest, Voyeurism and the Phantasmagoria,certainly drew on a more multifarious range of sexual and brutal predation than those inflicted by Byron’s nurse, but those Nottingham days would haunt the poet for the rest of his life.. On 3 January in the same year, Etienne-Gaspard Robertson’s sophisticated and well-honed form of Phantasmagoria opened and subsequently took Paris by storm.

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,Brontë’s ,: Desire and Lanternicity in the Domestic Gothic, deny sexual fulfilment with an Austenesque anger against the commodification of women. It also anticipates the unresolved sexual longing and problematic open ending of . (1860–61), and the main target of Brontë’s rage is the same as that of Dickens’s novel: the betrayal of love and manipulation of young people by their elders.

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Conclusion,nt with regard to lantern technology and, built as it is on Sartre’s preference of cinema to the lantern shows he witnessed as a child, he dispenses it with an air of dismissal or farewell. It is a characteristic reflex and one which has proved influential in considering media histories as a whole.

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,Le Fanu’s ,: Lesbian Desire in the Lanternist Novella,otically charged mystery. Indeed there is considerable evidence to support the case that the author structured his tale as the literary equivalent of a phantasmagoria show and that he viewed his sultry vampire, indeed lesbianism itself, as phantasmagorical.