Titlebook: Serial Pinboarding in Contemporary Television; Anne Ganzert Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive lic

evanescent

使更活跃

Serial Pinboarding,ing this, the book’s four main examples are introduced: ., ., . and . all contribute important aspects to the development of serial pinboarding. Summarizing this chapter’s findings, pinboarding is defined as a serial practice, with a specific aesthetic, mediality, narrative implications, and semiotics.

padding

神圣不可

Pinning Knowledge,tice of pinning knowledge. Additionally, the pinboards are discussed as systems of bifurcation, rhizomatic structures, and walk-in spider webs, eventually further forming the general categories of serial pinboarding that are applicable to pinboarding structures beyond this book’s scope.

scoliosis

Conclusion,pters and giving an outlook into further research, which has the potential to make full use of this book’s interdisciplinary approach, and which makes Ganzert’s book a cliffhanger for future episodes of serial pinboarding.

Accolade

Pinning Evidence,y, origin, or meaning. A simple yet fundamental statement for pinboarding that Ganzert explores in this chapter and takes a closer look at written documents, photos, and evidence bags in particular, is to carve out their specific pinboarding traits.

诱骗

不整齐

archenemy

北极人