Titlebook: Sensationalism and the Genealogy of Modernity; A Global Nineteenth- Alberto Gabriele Book 2017 The Editor(s) (if applicable) and The Author

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l borders with topics ranging from North America to Asia.Tra.This book maps out the temporal and geographic coordinates of the trope of sensationalism in the long nineteenth century through a comparative approach. Not only juxtaposing different geographical areas (Europe, Asia and Oceania), this vol

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Destructive Re-Creations: Spectacles of Urban Destruction in Turn-of-the-Century USAception of the modern city from its very beginnings. This essay considers popular spectacles of destruction as examples of what historian Kevin Rozario has called a “culture of calamity,” where the forces of capitalism met, nourished, and exploited the fascination elicited by the imagery of destruction.

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Spatiality and Temporality in Benjamin and Adornolectical image, this chapter is an attempt to sketch a spatiotemporal interpretation of the image by constellating the simultaneously different and similar ways these thinkers construe the spatialization of time in the image.

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The Sensibilities of Semicolonial Shanghai: A Phenomenological Study of the Short Stories by Liu Na’gs by the phenomenologist Merleau-Ponty. This study discovers that while the sensationist literature poses a challenge of interpreting the narrated urban reality for the reader, it also suggests a new epistemology of the city in literature, as well as explores a different framework of understanding the city in terms of sensations.

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Katharina Reinls in order to establish the constituent elements of customary international. It then poses the question: Do international criminal tribunals distinguish, as defined by Schwarzenberger, between the “law-creatin978-3-319-87802-7978-3-319-64477-6

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Irony and Popular Politics in Germany, 1800–1850es of sensationalism that transformed popular political identity. By shifting the representative modalities of political sensation and scandal toward critical citizenship, irony assumes a central role in shaping political modernity.

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The Horror of Clothing and the Clothing of Horror: Material and Meaning in Gothic and Sensation Fict in situations when the subject loses control over material gone rogue. Moving from the material designs of late eighteenth-century book productions to serialisation in nineteenth-century periodicals and back to late nineteenth-century books in lurid cover designs, the novels as objects also respond

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