Titlebook: Sensational Pleasures in Cinema, Literature and Visual Culture; The Phallic Eye Gilad Padva,Nurit Buchweitz (Senior Lecturer of Co Book 201

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GUISE

The Peepshow and the Voyeuse: Colette’s Challenge to the Male Gazerlour opened on Broadway in 1894, it was evident that the accumulated repertory of images “appear[ed] to have already anticipate[d] the predominantly male audience of the peep show arcades.”. Male-orientated entertainments, such as the dancers Carmencita and Annabelle Moore, the contortionist Madame

异端邪说下

Transcendental Gazes: Pornographic Images of Transmasculinity-to-male) transgender or transsexual people, or drag kings, or who otherwise correlate with some point or other on the spectrum of transmasculinity. Not only does transmale porn provide a source of titil- lation, but it also operates as a heavily politicized subgenre that engages with the politic

Hyperalgesia

“Look Closer”: Sam Mendes’s Visions of White Mens, conflicts and secrets underneath. What appears to be the privi- leged powerful position of white middle-class men is shown to be just one more position of oppression and repression. The male protagonists in the films are shown to be as powerless, confused, doubting, failing and marginalized as an

HUMID

‘There’s No Losing It”: Disability and Voyeurism in , and s dis- tinction between public and private. Specifically, Hitchcock seems to use the public voyeurism in . to emancipate voyeurism by nor- malizing it; whereas the isolation in . and the subsequent murders condemn voyeurism.

maverick

颂扬国家

her possible combinations. Dworkin’s metaphor of Judge Hercules is inconsistent with the cognitive findings regarding information overload. While Dworkin supports taking a wide range of principles into account to reach a specific decision, the phenomenon of information overload suggests that excessi

独特性

商业上

Rachel Gottesmanfine our knowledge about the relationship between judicial governance and democracy, making an important academic and social contribution. In an era in which many democracies backslide and deconsolidate, it ass978-3-031-20189-9978-3-031-20190-5Series ISSN 2192-855X Series E-ISSN 2192-8568

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