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Titlebook: Semiotics 1980; Michael Herzfeld,Margot D. Lenhart Book 1982 Plenum Press, New York 1982 Design.Figuration.Methodologie.Nation.Syntax.educ

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Architectural Criticism as a Means to Identify Socially Shared Values: The Case of the East Buildinf Architects--the highest architectural award in the nation. Critic A. L. Huxtable called the East Building “the building of the year”; Canty suggested that it could be the best building of the entire decade, and Slesin went even further, predicting that no other building of this quality will be constructed in our century.
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Notes on Text and Performance in the Theatre of Dario Fo,y give a partial account for the undisputed success of his theatre in Europe, Canada and parts of Latin America. Some of it must come from his research into medieval forms of popular entertainment staged by the so-called . (French: .; Spanish: .).
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Forgotten Pioneers of Soviet Semiotics,d the political suppression of the Formalist movement in the Soviet Union in 1930, as well as subsequent campaigns against “Formalism” in music, the arts and comparative literary history in 1936 and 1949.
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,Theory and Practice at the Crossroads — A Peircean Perpsective on Political Signs, in terms of practical guidance. Then I shall turn to Peirce analysis of theoretical science, showing that this area of Peirce’s writing is extremely fertile in implications for feminist theory and practice.
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Buildings as Symbols of Political Ideology,shing avant-garde in art and architecture including what, somewhat euphemistically, is called “social housing” in the form of . dwellings with the tiniest of bathrooms and kitchens. In Frankfurt, particularly, under Ernst May, some of these were built with prefabricated systems using wall-size precast concrete slabs.
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The Rock and Roll Concert: A Semiotic Analysis, a classical ballet (1978), and other studies. It follows also the tradition in semiotic studies of analyzing the interplay of performer, audience, and surrounding situation, as in for example the major work of Roland Barthes (e.g., 1975) and Jan Mukařovský (1977).
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