Titlebook: Semantic Web Services and Web Process Composition; First International Jorge Cardoso,Amit Sheth Conference proceedings 2005 Springer-Verla

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pulse-pressure

Jorge Cardoso,Amit Shethvement as a predecessor of the phenomenon. In my view, we should not see the two as separate movements. Instead, we should consider the exceptional spread of academies throughout the Italian peninsula as the first instance of the Republic of Letters and its European reach. Although research is showi

ANTIC

拾落穗

Boualem Benatallah,H. R. Motahari Nezhadch tool as well as featuring a mother-daughter research teamThis book is about Italian American women, food, identity, and our stories at the table. This mother-daughter research team explores how Italian American working-class women from Syracuse, New York use food as a symbol and vehicle which car

AMPLE

David Martin,Massimo Paolucci,Sheila McIlraith,Mark Burstein,Drew McDermott,Deborah McGuinness,Bijancan working-class women from Syracuse, New York use food as a symbol and vehicle which carries multiple meanings. In these narratives, food represents home, loss, and longing. Food also stands in for race, class, gender, sexuality, immigration, region, place, and space. The authors highlight how foo

一致性

不再流行

Preeda Rajasekaran,John Miller,Kunal Verma,Amit Shethassed from the release of Reginald Barker’s ., it has become clear that what is at stake in Italian American cinema is a quest for identity, namely an identity that does not necessarily adhere to the one inherited by the Italian ancestors and does not completely identify with the mainstream American

ICLE

Debmalya Biswased in the late 1990s and released after an unsuspecting success like Quentin Tarantino’s . scrambled and reset the gangster genre (the same genre the . saga had canonized twenty years earlier), . is situated between the old, established representation of the Hollywood mafioso, and the pastiche that

LATER

Daniel Olmedilla,Rubén Lara,Axel Polleres,Holger Lausenlong with his attention to ethnic themes. The exploration of the boxer’s Italian American cultural background intersects Scorsese’s memories of the Italian American community in New York City and the description of La Motta’s ring experience stimulates a discourse on the ethnic concerns associated w

微不足道

Naveen Srinivasan,Massimo Paolucci,Katia Sycaracumented Mexican worker Ignacio. The authors equate the fictional undocumented im/migrants portrayed in Matthew Bonifacio’s film to what Zygmunt Bauman calls ‘human waste’, which is the collateral damage of economic progress. The life on the border—be it a physical border or a metaphorical one (the