Titlebook: Self-Consciousness in Modern British Fiction; Brook Miller Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 British no

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Conclusion,f these novels’ attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness.

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ng it as complicating character development. Miller provides new readings of works by Conrad, Joyce, and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world.978-1-349-34106-1978-1-137-07665-6

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Introduction: Functional Illusions and Modernist Self-Consciousness,Bernard’s proclamation raises a number of provocative questions. Is the present self who makes this statement deluded? Is he also conscious of his delusion? What generates this illusion, and what other processes is it related to? What adaptive functionality does this illusion have, or is it maladaptive?

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Book 2013Using a cognitive approach to literature, this book uncovers representations of self-consciousness in selected modern British novels, exposing it as complicating character development. Miller provides new readings of works by Conrad, Joyce, and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world.

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https://doi.org/10.1057/9781137076656British novel; David Herbert Lawrence; English literature; fiction; identity; Narrative; novel; British and