Titlebook: Self and Symbolism in the Poetry of Michelangelo, John Donne and Agrippa D’Aubigne; Alma B. Altizer Book 1973 Martinus Nijhoff, The Hague,

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is neither rhetorical nor symbolic, but expressive. This transitional mode reveals the individual poet‘s most urgent concerns and conflicts, his sense of self in Its most isolated or burdensome, affirmative or struggling state. Under­ lying most of their poems is a profound self-consciousness - a heightened a978-90-247-1551-0978-94-010-2459-4

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Fred Hillier and Gary Folven finally convinced me to go ahead with the project. The result is this new book, which in many ways differs from its Swedish prede­ cessor. Some differences are due to recent developments in inventory control. Fur­ thermore, this new book is in a sense more theoretical. I

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Alma B. AltizerThis book is still used in courses in production and inventory control at sev­ eral Swedish engineering schools and has also been appreciated by many practitioners in the field. Positive reactions from many readers made me contemplate writing a new book in English on the same subject. Encourag­ ing

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Alma B. AltizerThis book is still used in courses in production and inventory control at sev­ eral Swedish engineering schools and has also been appreciated by many practitioners in the field. Positive reactions from many readers made me contemplate writing a new book in English on the same subject. Encourag­ ing

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Self and Symbolism in the Poetry of Michelangelo, John Donne and Agrippa D’Aubigne

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