Titlebook: Seeing Ourselves Through Technology; How We Use Selfies, Jill Walker Rettberg Book‘‘‘‘‘‘‘‘ 2014 The Editor(s) (if applicable) and the Auth

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Filtered Reality,lter our news. In today’s algorithmic culture the filter has become a pervasive metaphor for the ways in which technology can remove certain content and how it can alter or distort texts, images and data. Filters can be technological, cultural or cognitive, or they can be a combination of these. Exa

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Serial Selfies,y understand social media genres we need to see them as feeds and analyse each post or image as a part of a series. This chapter looks at visual self-representational genres that are strongly serial: time-lapse selfie videos, profile photos in social media, and photobooths, one of the closest pre-di

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Privacy and Surveillance,rcial companies, data brokers and possibly criminals. We have little or no access to these representations of us, although the data that shapes them comes from us. Foucault’s idea of the panopticon is frequently mentioned in discussions of surveillance, but the practices of surveillance are changing

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ies of written, visual and quantitative modes of self-representations. This book uses examples to explore the balance between using technology to see ourselves and allowing our machines to tell us who we are.978-1-137-47666-1

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Jill Walker Rettberg substance-related addictions. In the introduction, phenomenological, epidemiological, and diagnostic aspects of a syndrome, which is here labeled pornography addiction, will be described knowing that the adequacy of this terminology has to be further validated. In the second section, after aetiolog

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Jill Walker Rettbergctivity and craving is supposed to develop, which may interact with reduced executive functioning and inhibitory control. Future research should more explicitly investigate the interactions of certain variables, beyond addressing bivariate effects on a correlational or group-comparison level. The mo

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