Titlebook: Seeing Comics through Art History; Alternative Approach Maggie Gray,Ian Horton Book 2022 The Editor(s) (if applicable) and The Author(s), u

记忆

Afrofuturism and Animism as Method: Art History and Decolonisation in Black Pantherhed in the epistemological context of European colonisation. As a result, there have been a variety of tactics employed to shift art-historical discourse away from its parochial origins, expand its objects deemed worthy of study and diversify its methodologies. The strands of this attempted shift ha

滑稽

What Is an Image? Art History, Visual Culture Studies, and Comics Studiese Studies and its relationship to Art History, before focusing on how a broad framing of the object of study and the interdisciplinary methodologies used by Visual Culture Studies makes it a useful critical framework for the study of comics. The second half of the chapter engages with Lynda Barry’s

头盔

GEM

Exhibition (De)Construction: Exploring the Potentials of Augmented Abstract Comics and Animation In awareness of the lived experience of mental health through emotive responses to the installation .. In developing our approach, we employed Astrid von Rosen’s (. 86:1, pp. 6–30. ., 2017) Warburgian methodology which was proposed as an “activist art history” giving space to the marginalised, voicele

ACTIN

Ways of Seeing Comics: Art-Historical Approaches to the Form,mage. In addition to considering what Art History offers Comics Studies, including the questioning of some of its deep-rooted categories, concepts and procedures, it also appraises what comics and Comics Studies affords and asks of Art History. It outlines the structure and contents of the edited collection, and its focus, limitations and purpose.

使出神

Reading Comics with Aby Warburg: Collaging Memories, this chapter reads two French-language comics (Hugo Pratt’s . and Manu Larcenet’s .), to show how these insights can be applied to a spectrum of comics ranging from genre fiction to personal stories.

comely

Connoisseurship, Attribution, and Comic Strip Art: The Case of Jack B. Yeats methodology in identifying and cataloguing the work of an individual artist. There is also consideration given to the various ways that comics have increasingly been framed as art, consumed, collected, and assessed in ways more conventionally associated with the fine art world.