Titlebook: Screenwriting Poetics and the Screen Idea; Ian W. Macdonald Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013

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God Is in the Details: The Text Object,g that while Hitchcock certainly used storyboards and his own sketches, he was not beholden to them — they are suggestions. As Krohn points out, storyboards may have been used to ‘sell’ set design or camera angle — a tool as much for the producer as the director or designer — but they are not litera

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Theoretical Approaches,s; of Pierre Bourdieu, together with creativity theorists; of the neo-formalists (particularly Bordwell, Staiger and Thompson); and of researchers in media production studies (including Caldwell and Lotz).

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ed by the adoption of a compulsory product liability insurance scheme, as proposed. As the requirement of a duty to insure may bring along intricate problems of moral hazard, the chapter considers the efficiency of tools such as the monitoring of the insured’s behaviour and the introduction of deduc

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Ian W. Macdonaldinto or choose to adhere to and take back a portion of their profits, or at least make customers feel like they are taking on those risks and taking back such profits. The leading characters in such models appear to play, to a large extent, the same roles traditionally ascribed to insurers and insur

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Ian W. Macdonaldorming companies’ value proposition from “reactive claims payer to preventive risk advisors” (Price Waterhouse Coopers. [2017]. A marketplace without boundaries? Responding to disruption goo.gl/p8Hs9b. Accessed 30 May 2020), lowering prices and shaping their targets.

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Ian W. MacdonaldThe international character of the Life Insurance has an important impact on the work to the implementation of IDD which aims at a so-called minimum harmonization. No doubt that the implementation may appear wide and burdensome, but it is a unique opportunity for all entities involved to achieve a g