Titlebook: Screenwriters and Screenwriting; Putting Practice int Craig Batty Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Scripting the Real: Mike Leigh’s Practice as Antecedent to Contemporary Reality Television Texts , ation from which . (2010-) and other television ‘dramality’ programmes such as . (2011-) have emerged. The terms ‘dramality’ and ‘reali-drama’ have emerged into common usage from the media, whose mainly critical attitude is based in the fact that these programmes purport to be ‘reality’ but actually

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Based on a True Story: Negotiating Collaboration, Compromise and Authorship in the Script Developmenms of creating socio-political content and relevance. Rika Pelo, arguing that Tonino Guerra is the per-eminent author of the cinema of alienation (2010: 118), points to consistencies of voice and theme in the oeuvre of the screenwriter. In the process, Pelo re-configures so-called ‘auteurs’ Tarkovsk

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CURT

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And the Screenwriter Created Man: Male Characterisation in Bromance and Bromedyrs to avoid clichés and stereotypical forms of characterisation (e.g. Seger (1996); Francke (1994); Jacey (2010); Silverstein (2013)). However, when the bromance and the bromedy/bromcom are flourishing as recognisable mainstream sub-genres in both film and television series, critical attention to th

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BIBLE

Horror Screenwriting: Blending Theory with Practicereenwriters can be reanimated through the meaningful and constructive alignment of these intersecting practical and theoretical contexts. The ambition of the chapter, therefore, is to further promote the contemporary reinvigoration of horror screenwriting by blending theory with practice in a way that is meaningful for horror screenwriters.

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‘Sorry Blondie, I Don’t Do Backstory!’ Script Editing: The Invisible Craftised in the final outcome of a work, and why it remains important to somehow reclaim such aspects to recognise them as anything from key resources to lost skill sets, to points of academic interest and research. By the time my mind drifted back to ., I had completely lost the plot.