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Titlebook: Screening the World; Global Development o Stuart Hanson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 film.exhibition.Unit

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发表于 2025-3-21 18:30:12 | 显示全部楼层 |阅读模式
书目名称Screening the World
副标题Global Development o
编辑Stuart Hanson
视频video
概述Marks the first book-length study of the history and development of the multiplex cinema globally.Offers a series of comparative case studies of exhibition markets in three continents, bringing out di
图书封面Titlebook: Screening the World; Global Development o Stuart Hanson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 film.exhibition.Unit
描述.This book charts the development of the multiplex cinema as the pre-eminent form of film exhibition across the world. Going from its origins in the USA in the 1960s to its expansion overseas from the mid-1980s across Europe, Australia and other parts of Asia-Pacific, the book considers the emergence of a series of initially regional, then national and then international exhibition circuits. However, more than a consideration of US overseas expansion on the part of companies, this book examines the hegemony of the multiplex as a cultural and business form, arguing for its significance as a phenomenon that has transcended national and global boundaries and which has become the predominant venue for film viewing. Implicit in this analysis is a recognition of the domination of US media multi-nationals and Hollywood cinema, and the development of the multiplex cinema as symbolic of the extension and maintenance of the USA’s cultural and economic power. With case studies ranging from European countries such as Belgium, France, Germany and The Netherlands, to Pacific-Asian countries such as Australia, China, Japan and South Korea, this book is the first to explore the development of mult
出版日期Book 2019
关键词film; exhibition; United States; company; business; cinema; Hollywood; Europe; development; megaplex; Britain;
版次1
doihttps://doi.org/10.1007/978-3-030-18995-2
isbn_softcover978-3-030-18997-6
isbn_ebook978-3-030-18995-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
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https://doi.org/10.1007/978-3-030-18995-2film; exhibition; United States; company; business; cinema; Hollywood; Europe; development; megaplex; Britain;
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The Origins of the Multiplex in the USAnd of cinema, purpose built and multiscreen. Taking as its starting point the aftermath of the . in 1948 and the relinquishing by the major studios of their cinemas, Chap. . charts the development of a new group of pan-regional exhibition companies such as American Multi-Cinema (AMC), General Cinema
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From Multiplex to Megaplex facto norm for cinemas in the USA by the 1990s. The chapter also considers the impact of the megaplex on film distribution patterns, especially with the development of the Hollywood blockbuster, and the emergence of American Multi-Cinema (AMC), Regal Entertainment, and Cinemark as the dominant forc
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