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Titlebook: Screening the Sixties; Hollywood Cinema and Oliver Gruner Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Historical Film.19

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Come Together,entations of the era. With their ensemble, multi-gender, multi-ethnic casts, all four films strive to portray the Sixties positively as a time of freedom, idealism and love. They find optimism in a late Sixties long associated with controversy.
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ation of a controversial epoch.Utilises a broad range of resThis book provides a detailed and engaging account of how Hollywood cinema has represented and ‘remembered’ the Sixties. From late 1970s hippie musicals such as .Hair and The Rose. through to recent civil rights portrayals .The Help and Lee
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Mourning the Age of Aquarius,ept, and the growing prevalence of what Philip Jenkins (2006) terms ‘anti-Sixties’ rhetoric within the post-1975 US public sphere, it explores American cinema’s response to such debates. The chapter provides a detailed analysis of Vietnam War-themed drama . (1978) and hippie musicals . and . (both 1
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Bringing Them All Back Home,. (1988), . (1989) and . (which, though not released until 1992, was being written throughout the 1980s). With debates on the Sixties gaining urgency—thanks in part to Ronald Reagan and his political allies portraying the era as America’s catastrophic fall from grace—all four productions were writte
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Go Away and Find Yourself,went into production when, it has been argued, a large-scale public backlash against feminism was raging in the USA. (Though not released until 1992, . was actually completed in 1990, and was in production by the late 1980s.) In what would become a prominent feature of Sixties films about women’s li
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Come Together,and visibility. In many ways, films such as . (1998), . (1998) and . (1999) suggest a jadedness regarding Sixties commemoration, even satirising familiar themes and motifs associated with the era. However, as the analysis of .’ (2000) script development in the late 1990s reveals, there were still fi
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