Titlebook: Screening Novel Women; From British Domesti Liora Brosh Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limited 2008 ficti

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ntury novel have been sensationally popular. This book examines how British and American filmmakers used the domestic novels of the past to construct stable gender ideals for the present.978-1-349-28411-5978-0-230-58241-5

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Consuming Women: , and , and ions represent England favorably in an attempt to encourage American support for Britain, the most significant aspect of these adaptations is that they remold Brontë’s and Austen’s novels into Depression-era narratives about the perilous relationship between women, money, and marriage.

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Maternal Desire: ged. Yet the new independence women seemed to have gained triggered anxieties about women abandoning their homes, husbands, and children. Not surprisingly, in this context, the adaptation makes some significant changes to Charlotte Brontë’s representation of a woman’s quests for independence.

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Consuming Women: , and , and ) and Robert Z. Leonard’s . (1940) are shaped by the drastic economic and social changes of the 1930s. Produced in the wake of the Depression, these films only marginally address the upheavals overtaking Europe and the war the United States would not join until the end of 1941. Although both adaptat