书目名称 | Screening Modern Irish Fiction and Drama | 编辑 | R. Barton Palmer,Marc C. Conner | 视频video | | 概述 | Provides a new view of how Irishness has been brought to the screen.Offers 12 original essays focusing on major works of Irish fiction and drama that have been adapted for film.Features leading schola | 丛书名称 | Palgrave Studies in Adaptation and Visual Culture | 图书封面 |  | 描述 | This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O’Flaherty, Christy Brown, Edna O’Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland’s literary andcinematic establishments.. . | 出版日期 | Book 2016 | 关键词 | Adaptation; Visual culture; Irish fiction; Irish drama; Ireland; Theatre; Oscar Wilde; Roddy Doyle; Patrick | 版次 | 1 | doi | https://doi.org/10.1007/978-3-319-40928-3 | isbn_softcover | 978-3-319-82220-4 | isbn_ebook | 978-3-319-40928-3Series ISSN 2634-629X Series E-ISSN 2634-6303 | issn_series | 2634-629X | copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
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