Titlebook: Screening Love and Sex in the Ancient World; Monica S. Cyrino Book 2013 Monica Cyrino 2013 cinema.film.television

绊住

Virility and Licentiousness in ,’s Mark Antony (2005–7)thout challenge, as a site for the interrogation and negotiation of issues of masculinity and gender performativity. This is a cultural function afforded to it first by virtue of the semantics of Roman political propaganda and second because the ideological bent of historiography is dictated by the

Astigmatism

deriver

调整校对

deface

女上瘾

Introduction Screening Love and Sex in the Ancient Worldgames, cinematic entrepreneurs are able to satisfy both their artistic and commercial senses. Characters, themes, and plots centered on romance and sexuality continue to appear in the most recent recreations of antiquity in blockbuster movies and on premium cable television.

陶器

傲慢人

宣传

The Order of Orgiesowe in a Toga, but not a Single Orgy.”. Other viewers praised director Ridley Scott precisely “for not turning . into another cheap sexploitation epic of Roman imperial orgies.”. Scott himself rather laconically defended his choice of not including orgies: “I didn’t want any orgies because orgies are boring.”.

过时

Objects of Desireectification of women present in many earlier television series and films about the ancient world or other contemporaneous television costume dramas. Through its female characters’ sexual dominance and agency, . explores the nature of social hierarchies and the corruption of slave-owning societies.