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Titlebook: Scientific Credibility and Technical Standards in 19th and early 20th century Germany and Britain; In 19th and Early 20 Jed Z. Buchwald Boo

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Stuart M. Fefferand educational changes might challenge or facilitate learning for students and educators. Besides its relevance within the education sector, the content presented here can be applied in non-formal learning environments, such as museums, cultural institutions, as well as other educational settings w
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Book 1997ogies. Taking thisrealization as a given, the essays in .Scientific Credibility and..Technical Standards. effectively argue that we must now seek togo beyond it; we must also begin to think carefully about the rolethat science actually did play when it was explicitly deployed bytechnologists.
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Scientific Credibility and Technical Standards in 19th and early 20th century Germany and BritainIn 19th and Early 20
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1385-0180 illuminate one another. The first threecontributions concern optics and industry in 19th century Germany; thefourth concerns electric standards in Germany during the same period;the last essay in the volume examines a curious development in theearly history of wireless signalling that took place in
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Ernst Abbe, Carl Zeiss, and the Transformation of Microscopical Optics, taming of the microscope by physicists required more than a theoretical account — a physical theory of microscopical optics had to convince microscopists that instruments designed according to that theory would be superior.
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,Buying the Dark Lines of the Solar Spectrum: Joseph Von Fraunhofer’s Standard for the Manufacture oy placed him at the forefront of a long tradition of spectroscopy,. or have portrayed him as the ‘father of German optics’ in attempting to argue for a Germanic hegemony in both the physical sciences and optical industry..
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The Zeiss Werke and the Ultramicroscope: The Creation of a Scientific Instrument in Context,rence. I also presented first drafts of other parts of this essay at History of Science Society meetings in Madison (November, 1991) and New Orleans (October, 1994). Finally, I thank Jed Buchwald and, especially, Gerard L’E. Turner for their many instructive comments and criticisms.
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