Titlebook: Scars and Wounds; Film and Legacies of Nick Hodgin,Amit Thakkar Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 trauma.scars

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ALIAS

Trauma in Recent Algerian Documentary Cinema: Stories of Civil Conflict Told by the Living Dead,Algeria experienced in the 1990s. In the aftermath of a conflict that claimed between 100,000 and 200,000 victims, the state pushed through amnesty laws and attempted to mobilise a process of national forgetting. However, the same period also saw a rise in Algerian documentary film-making which has

妨碍议事

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哭得清醒了

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,‘Our Long National Nightmare Is Over’?: The Resolution of Trauma and Male Melodrama in ,, news of the death of a favourite son, a trauma so profound that none of the surviving family members seem able to recover. Though this seems to denote the death in combat of a young soldier, the radical interiorisation of this event marks a steadfast refusal to connect the father’s overbearing patr

MIR

,Listening to the Pain of Others: Isabel Coixet’s ,,nna (Sarah Polley) to overcome the trauma of the Balkan wars (1990s). The chapter situates Hanna’s trauma-induced silence within the context of the politics of truth commissions. This analysis is primarily vococentric (Chion 1999) since Coixet explores Hanna’s suffering through her voice rather than