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Titlebook: Sandscapes; Writing the British Jo Carruthers,Nour Dakkak Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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发表于 2025-3-21 19:56:40 | 显示全部楼层 |阅读模式
书目名称Sandscapes
副标题Writing the British
编辑Jo Carruthers,Nour Dakkak
视频video
概述Features nature writing and ecocriticism from literary scholars, sociologists, archaeologists, creative writers and more.Draws on the fields of new materialism, ecocriticism, affect theory and other t
图书封面Titlebook: Sandscapes; Writing the British  Jo Carruthers,Nour Dakkak Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive licen
描述.Sandscapes: Writing the British Seaside .reflects on the unique topography of sand, sandscapes, and the seaside in British culture and beyond. This book brings together creative and critical writings that explore the ways sand speaks to us of holidays and respite, but also of time and mortality, of plenitude and eternity. Drawing together writers from a range of backgrounds, the volume explores the environmental, social, personal, cultural, and political significance of sand and the seaside towns that have built up around it. The contributions take a variety of forms including fiction and nonfiction and cover topics ranging from sand dunes to sand mining, from seaside stories to shoreline architecture, from sand grains to global sand movements, from narratives of the setting up of bed and breakfasts to stories of seaside decline. Often a symbol of aridity, sand is revealed in this book to be an astonishingly fertile site for cultural meaning..
出版日期Book 2020
关键词ecocriticism; object studies; new materialism; environmental humanities; ecofiction; nature writing; sand
版次1
doihttps://doi.org/10.1007/978-3-030-44780-9
isbn_softcover978-3-030-44779-3
isbn_ebook978-3-030-44780-9
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 20:33:06 | 显示全部楼层
Tide Wrack and Sand,ticisms—are in tangential contact and form an open network that is as three dimensional as the page will allow (as sand is). “Tide wrack” is marine debris—natural and manmade—that washes up daily onto the beach. Baudelaire compared the poet to the chiffonier or ragpicker picking up the city’s refuse
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发表于 2025-3-22 08:09:19 | 显示全部楼层
,An Englishwoman’s Home Is Her Castle: Social Morphologies and Coastal Formations,on the beach at Felpham. . she asks the AA’s . as we beachcomb our way through it. The tin bucket recurs in many of the photos we’ve dug out. From Broadstairs to Swanage. She’s older by Lynmouth and Minehead, gone from boarding house to hotel. She’s in tents with the Guides by Colwyn Bay; on Sunday
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发表于 2025-3-22 17:50:49 | 显示全部楼层
On the Sound-Sea: Fifteen Ways of Thinking About Sand and Sound,and music as a space between, a space in which the listener hears the call of the sea and responds to that call. In 15 different ways, including personal reflections as well as analysis, this chapter takes a critical-creative method to rethink the intertidal space as a place of possibility and trans
发表于 2025-3-22 22:45:30 | 显示全部楼层
Rough and Smooth Sands: Social Thresholds and Seaside Style,f, the sandscape is often turned to by writers who testify to it as a space in which we can lose ourselves, to escape the world. Elizabeth Gaskell described her heroine, Margaret Hale, on the sandscape as enjoying the “luxury of pensiveness”, a moment of peace and transcendence. This chapter explore
发表于 2025-3-23 01:50:58 | 显示全部楼层
A Morecambe Mystery,rform death-defying BMX tricks. A couple mourn the loss of a black cat in the tide that runs faster than a horse. But who is the woman scattering seed and waving a fennel bulb in a mystic circle on the sand? What is the darkness that haunts the bridal suite? What is the future for a seaside resort w
发表于 2025-3-23 09:10:14 | 显示全部楼层
Map of the Quick,th centuries, led to this story written from the imagined perspective of “Annie”, a landlady of a guest house circa 1850. Driven to migrate across country, east to west, from Yorkshire to the respite and shelter provided by Morecambe Bay, she was part of a collective experience of migration that pop
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