Titlebook: Samuel Beckett‘s Plays on Film and Television; Graley Herren Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 Beckett.

Obvious

破裂

,Beckett’s Memory Machines,t in Beckett’s teleplays, the primary focus of the present study. In the teleplays Beckett broadcasts multilayered, medium-specific confrontations between present and past, perception and memory, subject and object, presence and absence. Here “making it old” does not mean making it artistically stag

吝啬性

,Slouching toward Television: Beckett’s Apprenticeship in Radio and Film,o this privileged final category (158-59). By Deleuze’s estimation, then, . is something of an aberration, the sole teleplay that still clings regressively to “imagination sullied by memory.” Deleuze never dismisses the value of . entirely, but he concedes no more than “a preparatory value that serv

刺耳的声音

,Beckett’s Double-Vision of Yeats in …,…, principle of individuation in this essay, the degree in which the younger Irish poets evince awareness of the new thing that has happened, or the old thing that has happened again, namely the breakdown of the object,” or the “breakdown of the subject. It comes to the same thing—rupture of the lines

evince

COUCH

易达到

光亮

Overview: This is the first book devoted Beckett‘s innovative work for the big- and small-screens. Herren examines each of Beckett‘s film and television plays in depth, emphasizing the central role that memory plays in these haunting works.978-1-137-10908-8

CHOP

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periodontitis

Book 2007This is the first book devoted Beckett‘s innovative work for the big- and small-screens. Herren examines each of Beckett‘s film and television plays in depth, emphasizing the central role that memory plays in these haunting works.