Titlebook: Samuel Beckett‘s Critical Aesthetics; Tim Lawrence Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Philosophy.Ethics.Prose.

TEM

,Beckett’s Aesthetic of Vision: Figuration and Surrealist Influence,al and philosophical in Surrealist essays and poetry. It looks at how Beckett engaged with and was influenced by André Breton and Paul Éluard, before turning to consider these Surrealist lineages in relation to the aesthetic of “défiguration” in Beckett’s essays and poems in the 1930s and 1940s. Law

Concomitant

外露

僵硬

Conclusion,’s poem “What Is the Word” and the figure of the eye in Beckett’s late prose text .. In light of the previous chapters’ detailed analyses of Beckett’s aesthetic lineages, these obsessions are shown to recall his essays’ guiding anxieties about the status of representation. The study ends by calling

秘方药

Book 2018re of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recal

为宠爱

Introduction,kettian, noting how Joyce’s influence on Beckett’s style hinges on the aesthetic value of ignorance. Lawrence thus contends that questions of philosophical and aesthetic influence can best be understood by studying the figural and visual texture of Beckett’s critical writing.

过于平凡

谦虚的人

灯丝

Palliation