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Titlebook: Samuel Beckett and Disability Performance; Hannah Simpson Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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: Theatre Workshop Scotland, 2007,isibly impaired body as a means of generating .’s intense affective disquiet in performance and the key lines of disturbance, distress, and even outright horror that characterise the play. Interviews with Shaban and Robson close the chapter.
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Epilogue: Disability Performance and the Virtuosic Body, and an interview with Edward Beckett, executor of the Beckett estate, closes the chapter. This epilogue also offers one final contention: that disabled performances of Beckett’s plays might prompt us to reconsider the concept of the “virtuoso actor” in line with a specifically Beckettian form of “virtuosity”.
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: Me to Play, 2012,se familial connection with Parkinson’s disease by way of his mother May Beckett and his aunt Cissie Sinclair, this chapter explores the parallels that the company found between Parkinson’s as a degenerative disease and . as a play centrally concerned with deterioration and decline. . embraced the s
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