Titlebook: Ruin Porn and the Obsession with Decay; Siobhan Lyons Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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Book 2018ollection of chapters, the authors in this work examine the relevance of contemporary ruin and its relationship to photography, media, architecture, culture, history, economics and politics. This work investigates the often ambiguous relationship that society has with contemporary ruins around the w

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Introduction: Ruin Porn, Capitalism, and the Anthropocene,decay, and its place in cultural, historical, philosophical and economic discussions. As an aesthetic movement, ruin porn provokes much criticism as an exploitative notion that turns personal loss and decay into artistic work. But ruin porn is also a useful way in which to critique the relationship

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Detroit Was Always Made of Wheels: Confronting Ruin Porn in Its Hometownthe difficult subject of what happens on the margins of a city. This research asks the question of what does happen when a city’s pain is aestheticized without a deeper engagement of the intersections of history, race, space and place. This essay will discuss Detroit’s public art projects and moveme

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“Take Nothing But Photos, Leave Nothing But Footprints”: How-to Guides for Ruin Photographyhow to have the kind of experience that explorers seek: namely, to be the first to encounter something not yet valued by others, and to produce a visual record of its ephemerality, while those who come after can only replicate the experience. Exploring the exploration guidebooks themselves offers a

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Where the (Moving) Sidewalk Ends: Images of Wasted Americana in the Pre-apocalyptic Worldcapture images that evoke similar emotional tenor, drawing on the despair of a world where humanity’s impact on the landscape are in drawn-out states of death and reclamation by nature. While Crompton’s photo series . focuses on the slow decline of malls across America, George’s . series details the

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