Titlebook: Rudyard Kipling; A Literary Life Phillip Mallett Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 America.bibl

exophthalmos

,Seven Years’ Hard: Kipling in India,pling, but in the four days he had to wait at Port Said he did have time to take in the atmosphere of a base-camp only fifty miles from the scene of battle. Ten years later he was to draw on these impressions for parts of

Type-1-Diabetes

The Conquest of London,ies. Fie had, he told Margaret Mackail, ‘mixed with fighters and statesmen, administrators and women who control them all… I’ve tried to get to know folk from the barrack room and the brothel, to the Ballroom and the Viceroy’s Council and I have in a little measure succeeded’ (. 1.288).. In short, h

Sigmoidoscopy

irradicable

arsenal

In a Hidden Kingdom,ly together in an old nniU, are disturbed by the introduction of new turbines. If the Cat and the Rat represent the old guard, clinging on to unearned privileges hut forced to change their ways when ‘the unvisited darkness of the old mill [is] scattered by intolerable white light’, the light itself

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外露

Phillip Mallettrd Kriesche, Hans Florey, Hermann Painitz, Peter Perz und Kolleginnen wie Hildegard Joos arbeitete sie an jener konstruktiv-geometrischen Strömung, die an den Wiener Kinetismus eines Franz Čižek der 1920er Jahre und an das abstrakte Ornament der Secession und der Wiener Werkstätte um 1900 anschloss

同步信息

Phillip Mallettrd Kriesche, Hans Florey, Hermann Painitz, Peter Perz und Kolleginnen wie Hildegard Joos arbeitete sie an jener konstruktiv-geometrischen Strömung, die an den Wiener Kinetismus eines Franz Čižek der 1920er Jahre und an das abstrakte Ornament der Secession und der Wiener Werkstätte um 1900 anschloss

novelty

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滴注

Childhood and Youth,alism’, engaged in ‘the exhumation of scarcely cold notorieties … with sprightly inferences and “sex”-deductions to suit the mood of the market’.. He told his wife that his own book would deal with his life from the point of view of his work. It was to be a literary life, not a personal confession.