Titlebook: Romanticism and the Contingent Self; The Challenge of Rep Michael Falk Book 2024 The Editor(s) (if applicable) and The Author(s), under exc

美学

Drama: Inner Seas in the Tragedies of Baillie and Harpur,ngly influenced by Hegel, who argued that Romantic (or Shakespearean) tragedy was essentially ‘subjective’, as opposed to the ‘objective’ tragedies of Ancient Greece. The theory of subjective tragedy contributed to the neglect of Romantic tragedy by scholars in the twentieth century. According to th

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,Prose: Moore’s Multiform ,counts of Romanticism, biography has generally been overlooked by scholars. I suggest that this is due to the fact that biography does not portray the self as necessary. For this reason, many scholars have doubted there is any such thing as ‘Romantic’ biography. In the traditional theory of Romantic

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2634-6516 and transnational approach to the philosophy of self in RomThis book offers a new critique of selfhood in Romantic literature. In the past, Romanticism has been seen as an individualistic movement, with writers believing in the ‘centrality’ of the self. Challenging this prevailing view of Romantici

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Monotonous

Michael FalkOffers a new critique of selfhood in Romantic literature in which the self is fragile, degenerate or non-existent.Takes an interdisciplinary and transnational approach to the philosophy of self in Rom

BUOY

Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/r/image/831716.jpg

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https://doi.org/10.1007/978-3-031-49959-3Romanticism; British and Irish Literature; Selfhood; Individualism; Modernity; Eighteenth-century thought

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Romanticism and the Contingent Self978-3-031-49959-3Series ISSN 2634-6516 Series E-ISSN 2634-6524