Titlebook: Romanticism and Millenarianism; Tim Fulford (Professor of English) Book 2002 Tim Fulford 2002 art.bibliography.Coleridge.discourse.ecology

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Pagodas and Pregnant Throes: Orientalism, Millenarianism and Robert Southey, the water. What the crowd did not realize was that the burning of the pleasure dome was not a pyrotechnic plan but an accident. Gaslight had set the flimsy timber tower on fire. Several of the carpenters were burnt to death.

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,Blake’s Visionary Heads: Lost Drawings and a Lost Book,aw—indeed whether he “saw” them—why he recorded them just then, how or whether the visitants were chosen, and whether the portraits (and the conversations with the sitters) are to be judged in terms of artistic license or of the paranormal.

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Word as Image in William Blake,ke, as a man with a strong religious sense who expressed himself in both words and visual images, played a peripheral and partial, but significant, role in this tradition, with the late Laoco⃶n print coming as the culmination of his own very personal solution of the problem.

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nd political subcultures of radical London, into the religious sects surrounding the Richard Brothers and Joanna Southcott, and into the cultural and political contexts of orientalism and empire.978-1-349-38717-5978-0-230-10720-5

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Millenarianism and the Study of Romanticism,rs in a madhouse. Deep into the nineteenth century, large numbers of Britons continued to expect the imminent arrival of the New Jerusalem, the thousand-year reign of Christ on earth predicted in the Bible: “the sun shall be turned into darkness, and the moon into blood, before the great and terribl

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,Cowper’s Ends,rse writings they produced, give some indications of the complexity of understanding Cowper’s place in late eighteenth- and early nineteenth-century poetry. It was once possible to see Cowper as singularly antithetical to the emergent Romantic poetics of the 1790s. In such readings, the fact of his

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