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Titlebook: Romanticism and Form; Alan Rawes Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007 Jane Austen.poem.poetry.pro

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书目名称Romanticism and Form
编辑Alan Rawes
视频video
图书封面Titlebook: Romanticism and Form;  Alan Rawes Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007 Jane Austen.poem.poetry.pro
描述This book offers new analyzes of canonical texts, contextualizations of Romantic forms in relation to war, nationalism and empire, reassessments of neglected and marginalized writers and explorations of the relationship between form and reader. It showcases a range of new approaches that are informed by deconstruction, theology and new technology.
出版日期Book 2007
关键词Jane Austen; poem; poetry; prose; Romanticism; William Wordsworth; Wordsworth; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230206144
isbn_softcover978-1-349-54434-9
isbn_ebook978-0-230-20614-4
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2007
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,Romantic Form and New Historicism: Wordsworth’s ‘Lines Written a Few Miles above Tintern Abbey’, Wordsworth’s Tintern Abbey’ was one of new histor-icism’s exemplary texts. For McGann himself, Tintern Abbey’ perfectly demonstrates the kind of ‘poetic conceptualization’ that for him characterises Romantic literature, ‘whereby the actual human issues with which the poetry is concerned are resituated in a variety of idealized locations’.
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ents of neglected and marginalized writers and explorations of the relationship between form and reader. It showcases a range of new approaches that are informed by deconstruction, theology and new technology.978-1-349-54434-9978-0-230-20614-4
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https://doi.org/10.1057/9780230206144Jane Austen; poem; poetry; prose; Romanticism; William Wordsworth; Wordsworth; British and Irish Literature
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978-1-349-54434-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2007
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Combinatoric Form in Nineteenth-century Satiric Prints,ay, as well as quasi-theatrical immersive experiences such as the panorama, which sometimes depended on accompanying texts or performed music. Gillen Wood has rightly situated the production and reception of such visually orientated multimedia works at the heart of Romantic-period culture, the era o
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