Titlebook: Romantic Victorians; English Literature, Richard Cronin Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 desi

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Myosin

Conclusion,o ‘period-defining theory’: all I had done was to write a series of essays on some of the writing produced between 1824 and 1840 that most interested me. I had not even attempted as much as Virgil Nemoianu in 1984, who, although he accepts that the label he attaches to the writing of these years, th

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indoctrinate

Civilizing Romanticism,bered. George Eliot, for example, chose the period of agitation leading up to the Bill as the setting for both . (1866) and . (1871-2). Although ., in particular, seems implicitly concerned with the debate preceding the Reform Act of 1867, the fact that the novel is set in the early 1830s in itself

幻想

Realizing Romanticism,lingness to subordinate facts to meanings is in any case a characteristic only of male artists. Stuart Curran, for example, celebrates the manner in which Charlotte Smith, in a poem such as ., refuses to allow the details of the landscape to be absorbed within her theme. When her glance falls on ‘th

delta-waves

s as ‘children of the soil’.. Nevertheless, to their reviewers, Hardy’s early novels breathed the clean, fresh air of south-west England, with a coastal fragrance able ‘to neutralise the glare and noise of the hot London street…’. And it is this contrast between invigorating, innocent countryside an

incredulity

Richard Croninn awareness coincides with a regression into memories which are eventually seen in their final form and matured significance. Hardy’s central interest is in what happens to an old emotion which lies hidden for years and is then exhumed in all its paradoxical freshness.