Titlebook: Romantic Poetry and Literary Coteries; The Dialect of the T Tim Fulford Book 2015 Palgrave Macmillan, a division of Nature America Inc. 201

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Palliation

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interlude

Signifying Nothing: Coleridge’s Visions of 1816—Anti-allusion and the Poetic Fragments confessional pieces, in the manner pioneered by Coleridge and Wordsworth in 1797, but stop short of actually revealing the circumstances that generate the emotional states they explore. Cryptic suggestions, pregnant phrases, and arch hints substitute for plain exposition; the writer seems coy; rea

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Positioning ,: Poetic Circles and the Development of Colonial Romancehe era. The colonial romance—the verse narrative that told a story of love and hate between colonizer and colonized in a country undergoing imperial conquest—was a cousin of the Oriental tales that I examined in the second chapter, but was much more clearly related to contemporary power struggles ac

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paroxysm

Iamb Yet What Iamb: Allusion and Delusion in John Clare’s Asylum Poemses.”. Confined in a lunatic asylum, John Clare adopted other people’s voices. He told visitors he was Jack Randall, the boxer; he wrote poems as Lord Byron and as William Cowper. This adoption of other poet’s voices may or may not have been related to a belief that he shared their identities. Some v

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娴熟

The Politicization of Allusion in Early Romanticism: Mary Robinson and the Bristol Poets task to show that its hidden cost was the reduction of value to material possession—a reduction that not only corrupted the consumer but also exploited the producer, who was himself reduced to a commodity. . In this respect Britons had become, Coleridge remarked (anticipating Marx), “Fetich worshippers.”.