Titlebook: Romantic Misfits; Robert Miles Book 2008 Palgrave Macmillan, a division of Macmillan Publishers Limited 2008 Coleridge.Great Britain.novel

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Introduction,rth, Keats and Shelley – were conspicuous, initially, for their paltry sales and invisibility to all but the most dedicated habitués of the literary networks that dominated the publishing scene.. If these writers survived in the face of such adversity, it was owing, in part, to their firm sense that

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The Romantic Abject: Cagliostro, Carlyle, Coleridge,torical kernel. In the middle of this winnowing, the cultural and institutional formation we call ‘Romanticism’ begins to assume a shape. Viewing the process of Romanticism’s self-becoming it helps to focus on those moments where the Romantic encounters — throws down and expels — its necessary other

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The Romantic-era Novel,ur literary culture. Of course the novel resumes its central role in the story of ‘English’ once we break through to the safe territory of Victorian fiction, where prose once again resumes its stately voyage towards its present generic supremacy.