Titlebook: Roles and performances in Apuleius‘ "Metamorphoses"; Stavros Frangoulidis Book 20011st edition Springer-Verlag Berlin Heidelberg 2001 anci

巡回

Man and Animal,f the robber Thrasyleon (4.14–21); and (2) the ass’ performance as a human in the possession of Thiasos (10.16–35). Thrasyleon plays the bear even outside the space formally designed for his performance and, ultimately, dies as a beast. By contrast, the ass refuses to perform his act of sex in publi

简略

得罪

reaching

Book 20011st editionch, in dem die Göttin Isis dem Lucius erlaubt, aus der Sphäre des Scheins in eine höhere Welt der Wesenheiten zu treten. In dieser höheren Welt gelten naturgemäß andere Gesetze als in der Welt flüchtiger Illusionen.

CAND

Schlussbuch, in dem die Göttin Isis dem Lucius erlaubt, aus der Sphäre des Scheins in eine höhere Welt der Wesenheiten zu treten. In dieser höheren Welt gelten naturgemäß andere Gesetze als in der Welt flüchtiger Illusionen.978-3-476-45284-9978-3-476-02841-9

小木槌

Man and Animal,c, because he fears that the wild beasts in the arena will be let lose and will devour him along with his partner, the mass murderess. Hence, the ass secretly runs away from the theater and ultimately saves his life. This action becomes a prerequisite for his ensuing salvation by Isis later in Book 11.

LAIR

sphincter

http://image.papertrans.cn/r/image/831567.jpg

harpsichord

https://doi.org/10.1007/978-3-476-02841-9ancient history; history; performance

密切关系

Introduction,Apuleius’ . relates the story of Lucius’ change into an ass through magic; his sorrowful adventures as he is sold to various masters and his travels through different communities; his restoration, both physically and spiritually, through Isis’ help and, finally, his initiations into the rites of Isis and her brother/consort Osiris.