Titlebook: Robinson Crusoe in Asia; Steve Clark,Yukari Yoshihara Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Robinson Crusoe in th

Intact

Book 2021ising Adventures of Robinson Crusoe. (usually known simply as .Robinson Crusoe.) – to take in the far less well-known .Farther Adventures .and the almost unread .Serious Reflections., beyond Defoe’s texts, to their re-writing and adaptation and beyond the Atlantic and South American context to an As

性冷淡

2524-7638 historical context of the novel (involving politics, finance.This collection of essays expands the study of that immensely widely read and much-adapted novel, beyond the first book – .The Life and Strange Surprising Adventures of Robinson Crusoe. (usually known simply as .Robinson Crusoe.) – to take

Ancillary

Defoe and the Problem of the East India Company,order to suggest that these novels—like the novelist’s treatises on trade—critique the Company in ways that have not yet been recognized. For Defoe, the EIC embodies the greed, authoritarianism, paranoia, and monopolistic intentions that frustrate the plans that he championed for thirty years to ope

Mechanics

,Between Castaways and Traders: Cannibal-Cum-Crusoe in Sumatra and the Andaman Islands,r between the travelers/traders and the native populations, by investigating testimonials of their encounters in Sumatra and the Andaman Islands from the seventeenth century onwards. Not only the European travelers but also the natives required the cannibal discourse to be activated in order to mutu

控诉

Adenoma

工作

Religious Conversion and the Far East in the , Trilogy,t across the Crusoe trilogy. Appreciating this unity requires us to revise our ideas of Crusoe as a story about nascent Protestant British imperialism, presenting a model of Providence tied to individual labour and economic accumulation. A reading that better reflects the overall trilogy, by contras

功多汁水

elucidate

询问

,Kicking Away the Gold Coins: Ōtsuka Hisao’s Reading of , and the “Human Archetype” of Post-war Japuka Hisao (1907–96), an economic historian and leading theorist in the democratic movement of post-war Japan, frequently mentioned Daniel Defoe’s . (1719) as a story embodying the archetype of modern capitalism. Also, he recommended the autonomous and individualistic character of Robinson Crusoe as