Titlebook: Robert Louis Stevenson’s Pacific Impressions; Photography and Trav Carla Manfredi Book 2018 The Editor(s) (if applicable) and The Author(s)

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,“Native Movement”: Islanders and the ,th the consequences of “native movement” and the rise of commercial shipping on Pacific Islander navigation and mobility structures this chapter. The chapter traces the theme of Islander mobility by using a selection of photographs featuring Tem Binoka’s “harem,” the .’s “Kanaka” crew, and Stevenson

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,“Little House in the Bush”: Specters of Vailima,man-run plantations on Upolu. Stevenson depicts these plantations as sites of Gothic terror that have incorporated—and become part of—Samoan folklore, especially insofar as spirits known as . inhabit them. Stevenson’s accounts from his personal correspondence and . in Sāmoa are juxtaposed with local

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Conclusion,des a point of entry for scholars to engage with a generous collection that defies easy methodological, geographical, and generic classifications. The book examines a largely unpublished collection of albums that contain a variety of subject matter including portraits of the Stevensons, Islanders, E

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