Titlebook: Richard Aldington: A Biography; Charles Doyle Book 1989 Charles Doyle 1989 David Herbert Lawrence.Europe.George Eliot.British and Irish Li

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,Malthouse Cottage: The Late 1920s, 1926–28,g underwear and a book into his army pack, he hitch-hiked to London where he assisted in loading bundles of newspapers into private cars for circulation, and in wrapping individual copies. When each night’s work finished he walked along the Embankment to breakfast at the Authors Club in Whitehall. I

neutrophils

,Port-Cros and After, 1928–29,t Brigit Patmore. From early 1926 on, he was in touch with her. At that time, her marriage to Deighton Patmore collapsed and she may have been in financial difficulties. Aldington obtained a commission for her to translate a volume in Routledge’s series of translations of 18th-century French novels,

craven

,A Career as a Novelist, 1929–31,Pursued by rain, they stopped only briefly in Florence and Rome. After renewing acquaintance with Lawrence’s friend, the publisher Pino Orioli, in Florence and meeting Alec Randall and other friends in Rome, with a copy of Norman Douglas’s . in hand Aldington made for Naples and remained for some ti

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,1931–33,ls of villas the Schiffs might rent the following winter. During 1931 he wrote frequently to Schiff, who made efforts to obtain him a better contract from the . than the £400 a year retainer already agreed on. Always in need of financial reassurance, despite his largesse to MacGreevy and others, Ald

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,1937–38, for Christmas in response to an invitation from the Doubledays, but that Brigit remained in London ‘with the boys’. Aldington’s seriousness about his new love relationship may be gauged from the fact that ‘On board MS Lafayette, approaching England’ on 15 January, he wrote to warn H.D. that she wou

著名

,Farewell to Europe, 1939–40,etta had just inherited a legacy of $2500 and he reported to Leonard Bacon on 2 January 1939 that the Viking Press, to whom he had switched from Doubleday, had recently advanced him $1500. He had also unexpectedly received $300 in Continental royalties. As to the future, C. P. Snow spent a couple of

FLIC

,1941–42,the nicest thing we’ve done together’. He was confident he had done better than all predecessors, including wiping out ‘Mr Q [Sir Arthur Quiller-Couch] and his Oxford Book’. Beyond editing, he was careful of other details, from the book’s physical weight (he tested books for their wieldiness in the

Ordeal

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