Titlebook: Revolutionary Cycles in Chinese Cinema, 1951–1979; Zhuoyi Wang Book 2014 Zhuoyi Wang 2014 Chinese cinema.Chinese revolution.Chinese histor

能干

书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979影响因子(影响力)




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979影响因子(影响力)学科排名




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979网络公开度




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979网络公开度学科排名




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979被引频次




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979被引频次学科排名




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979年度引用




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979年度引用学科排名




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979读者反馈




书目名称Revolutionary Cycles in Chinese Cinema, 1951–1979读者反馈学科排名

存在主义

objection

https://doi.org/10.1057/9781137378743Chinese cinema; Chinese revolution; Chinese history; Maoism; revolutionary culture; communist culture; pro

set598

tendinitis

,From Disaster to Laughter: Making Comedies in a Changing Political Landscape, 1959–1963, of their original objectives. The former intensified ideological struggles and protracted the GLF. The latter completed the CCP’s U-turn away from the campaign and significantly relaxed the political atmosphere.

languid

encomiast

canvass

凶残

使人入神

From , to the Career of ,: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 195Republican-era movie magazines. In a long essay published in the first three issues of the magazine, Huang Zongying, a progressive Shanghai private studio actor (.),. told a story of her witnessing the “liberation” of a Chinese girl from the Hollywood star culture. Entitled “Two Cultures,” the story