Titlebook: Rethinking Chicana/o and Latina/o Popular Culture; Daniel Enrique Pérez Book 2009 Daniel Enrique Pérez 2009 culture.gender.violence

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(Re)Examining the Latin Lover: Screening Chicano/Latino Sexualitiesnning with Ramón Novarro and ending with Mario López, and highlight queer aspects of this identity while also underscoring the influence it has had on male aesthetics and on facilitating nonnormative discourses on sexuality.

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Rape, Violence, and Chicana/o And Latina/o Identities is forced to engage, in nonheteronormative social and sexual behavior. These texts include the novel . (Yxta Maya Murray, 1997), . (Ana Castillo, 1994), and . (Alma Luz Villanueva, 1994) as well as the film . (Edward James Olmos, 1992). I focus on violence in three particular settings: gangs, prisons, and the domestic arena.

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Introductionveer from social, sexual, and cultural norms. I find such texts to be imbued with an array of characters and situations that are ultimately queer with respect to family constructs, gender roles, sexuality, aesthetics, and other issues related to identity.

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Queer Machos: Gender, Sexuality, Beauty, and Chicano/Latino Menthose who possess the physical attributes most valued in any given society at any given historical moment. As a result, hegemonic paradigms of beauty are established and they, in turn, regulate the visibility of bodies. Certain looks and body types are disproportionately displayed in the media, film

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La Movie Rara: Viewing Queer Chicana/o and Latina/o Identitiesstematic oppression on a daily basis, it has remained in a marginal status since its inception. As Gary D. Keller suggests, financial neglect and exploitation have limited the number of Chicana/o films and the shape of the final product: “Indeed, as an oppressed cinema as well as a cinema about oppr

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Rape, Violence, and Chicana/o And Latina/o Identitieshapter I am interested in examining the role that violence plays in constructing queer Chicana/o and Latina/o identities in our cultural production. I analyze scenes and narratives that include representations of violent acts in order to demonstrate how such acts codify a queer body that engages, or