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Titlebook: Resilience and Responsiveness; Alfred’s Schutz’s Fi Michael Barber Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusi

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https://doi.org/10.1007/978-3-031-53781-3alfred schutz; African-American folkloric humor and phenomenology; intersubjectivity and phenomenology
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978-3-031-53783-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Resilience and Responsiveness978-3-031-53781-3Series ISSN 0923-9545 Series E-ISSN 2215-1915
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Michael BarberAnalyzes African-American folkloric humor against the background of social/political relationship involved in slavery.Focuses on religious ritual as a social religious experience.Provides full descrip
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Imposed Relevances and Resilience,ey have used this notion as a counter to interpretations that present Schutz’s theory as idealistic and incapable of handling issues of power or coercion in social and political thought. This chapter argues that Schutz takes account of imposed relevances throughout his work, and, at the same time, h
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The Province of Play: Creativity and Responsiveness, unique way the six features of a cognitive style of any finite province of meaning. The chapter examines the evolutionary and genetic precedents of adult play (animal and child play) and draws connections between play and other finite provinces of meaning, such as music, humor, or religious ritual.
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The Implications of Play: Resilience, Everyday Life, and Ethics,blem-solving and “tunnel vision.” When one keeps in mind the wide significance of imposed relevances and our continual resilience in coming to terms with them, including our use of typifications, one offsets such rigidity as one can also do through participation in play. A final section shows how De
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The Experience of Music: Embodied, Holistic, and Intersubjective,pacities, even rational ones, as Sheets-Johnstone, Schutz, and Husserl recognize. For Cox, through the animated body we metaphorically describe music as “moving to a climax” or hitting “high” notes, and our bodies mimetically absorb music through passive syntheses. Besides bodiliness, the holism of
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