Titlebook: Reshaping Poland’s Community after Communism; Ordinary Celebration Helena Chmielewska-Szlajfer Book 2019 The Editor(s) (if applicable) and

Considerate

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malapropism

GRILL

向下

,Licheń Sanctuary: Practicing Aspirations of the Polish Church Community,fy its own diminishing authority. Focus is laid on the sanctuary in Licheń, famous for its huge new basilica. The site presents the Polish Catholic Church as fundamentally tied with the Polish nation. It attracts visitors by mixing faux-baroque architecture and painting with familiar folk-like art,

ethereal

Woodstock Station Festival: Practicing Recognition,rive. While presenting musicians often past their prime, the festival attracts people who treat Woodstock Station as a place where they can celebrate their pride about helping others. Indeed, people are respectful toward others there to an extent unseen at other festivals. At Woodstock Station, the

Hyperplasia

National Internet Pro-voting Campaigns and Local Watchdog Websites: Practicing Civil Society Onlinechdog websites show a departure from a detached and clientelistic approach to the state; rather, they point at people’s desire for civic engagement. While national internet pro-voting campaigns focus on encouraging people to cast their ballot, local watchdog websites provide independent news and off

Infect

,Conclusion: Ordinary Celebrations in a “Pluralistic Situation”,ective of ordinary celebrations makes it possible to notice the complexity of these spaces, and to explore people’s practices as part of broader contexts. The analysis of the sites helps to articulate some key narratives active in Polish society today. Those offered by Church hierarchs, conservative

champaign

Introduction,round the currently biggest Roman Catholic church in Poland; a charity-based rock music festival, one of the biggest of its kind in Europe; and grassroots nationwide pro-voting campaigns and small-town government monitoring websites, created by ordinary citizens, both of which encourage civic monitoring of authorities.

airborne

Vulvodynia

Woodstock Station Festival: Practicing Recognition,ties receiving significant media coverage is the 1985 Live Aid charity music festival, also discussed in this chapter, created by the Irish rock musician Bob Geldof, which peaked in 2005 as Live 8, the globally televised charity music festival.