Titlebook: Research Topics in Analysis, Volume II; Applications Shouchuan Hu,Nikolaos S. Papageorgiou Textbook 2024 The Editor(s) (if applicable) and

fatty-streak

1019-6242 valuable resource for both mature graduate students and expe.This book, the second of two volumes, presents significant applications for understanding modern analysis. It empowers young researchers with key techniques and applications to explore various subfields of this broad subject and introduces

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Textbook 2024 brief presentation of Game Theory and Nash equilibrium...By offering a clear and comprehensive overview of modern analysis tools and applications, this work can greatly benefit mature graduate students seeking research topics, as well as experienced researchers interested in this vast and rich fiel

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1019-6242 nsive overview of modern analysis tools and applications, this work can greatly benefit mature graduate students seeking research topics, as well as experienced researchers interested in this vast and rich fiel978-3-031-64191-6978-3-031-64189-3Series ISSN 1019-6242 Series E-ISSN 2296-4894

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Sophie Kunertlocated east of the Andean Cordillera, as well as their associated ‘mallín’ ecosystems. Their more important role is the water supply within a drier, surrounding environment, both for rural dwellers as well as the survival and development of the biota. Likewise, these landscapes provide scenic resou

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Artificial Intelligence and Augmented Reality in Physical Activity: A Review of Systems and Devicesesent the latest findings, classified according to their accessibility and economic cost, and will describe the main characteristics, the basic instructions for use, and the practical applications of each of them. Within the domain of physical activity (PA), artificial intelligence (AI) has been app

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Public Psychodrama: More Than a Century Valuing Groupsarticipation of those who were present. But group meetings already characterized this master’s usual practice years before that meeting. The official name of theater of spontaneity, in April 1921, proposed the stage as an instrument, dramatization as a strategy, the format that today we call public