Titlebook: Rereading Shepard; Contemporary Critica Leonard Wilcox (Senior Lecturer in English) Book 1993 Palgrave Macmillan, a division of Macmillan P

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,‘I Smash the Tools of my Captivity’: The Feminine in Sam Shepard’s ,The critical discourse surrounding Shepard and the feminine is probably best represented by Bonnie Marranca’s summation:.Marranca calls for ‘a female language’ to be added to the other languages Shepard has mastered, at which time the ‘silent voices’ (the female characters) will tell their stories.

STALE

978-1-349-22511-8Palgrave Macmillan, a division of Macmillan Publishers Limited 1993

SHOCK

,Memory and Mind: Sam Shepard’s ,st. Yet he is, in the fullest sense of the term, a stage dramatist with an extraordinary instinct for the imaginative modalities of the theatre. Shepard is not a visionary, but an artist concerned with ways of seeing and being within theatrical space and time.

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https://doi.org/10.1007/978-1-349-22509-5America; drama; Narrative

四指套

David J. DeRoseng von einer Industriegesellschaft hervorragend erfüllt. Eine Leistungsbeurteilung nur nach der isolierten Betrachtung der Güterproduktion und Wohlstandsmehrung beleuchtet allerdings nur die positive Seite des Wirtschaftens. Aus einer umfassenderen Perspektive wird auch die andere, negative Seite de

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